Wednesday, May 1, 2013

Flat Characters in a Round Space

I was first exposed to Alan Moore through his 1996 novel Voice of the Fire.  His writing style immediately struck a chord within me.  I have always found pleasure delving into writing that was linguistically different and challenging. I discovered that works like Clockwork Orange by Anthony Burgess Trainspotting by Irvine Welsh and Song of Solomon penned by Toni Morrison, brought with them not only a challenge, but also an insatiable need for more.  This style allowed me to become part of a true inner monologue of a character, and in doing so; I often found part of myself in those characters.  Along the way, however, I had developed a naive concept that the writer was showing me who the character was through their personal descriptions and statements.  I was looking at dialect and linguistics from a scientific (almost mathematical) side.  It was so black and white in my mind that I had forgotten these words were always intended to be part of the character; not dissected and set aside for later criticism.  Some characters may explain how grass is green, the dirt is brown, and a tree is a combination of the two but the characters of Voice of the Fire showed me something entirely different.  They unveiled a layer of psyche I had overlooked in my personal adventures throughout the years of reading.  These characters described a setting that yelled out to me loud and clear “No the grass wasn't all green!  In fact there were some weeds that chocked and killed a portion of this not square yard.  And that tree, well that tree has a disease that has deadened a few limbs and really its leaves are just barely there”.  Unlike any writing I had ever been aware of (though I am quite certain it was always there) Moore’s characters did all this and more without every saying it but by the way they spoke through my pages.  I suddenly became a new reader with an understanding that writers do not write characters to be interpreted; but rather to be someone.  And most people aren't as flat as “the grass is green”.  






Fisk, Phil.  Alan Moore.  Photograph.  The Guardian.  Guardian News and Media, December 2012.  Web.  28 April 2013.

Moore, Alan. Voice of the Fire. Marietta: Top Shelf Production, 2009. Print